Local stylists say 360 lace wigs for black women started to become popular here within the a year ago. In the beginning, stylists resisted the requests as salon owners want to be noted for promoting healthy hair on their clients’ heads rather than attaching someone else’s mane. However Mary J. Blige hit the cover of Essence magazine having an article having said that she wore them. Tyra Banks admitted she wore them on her show, and Beyoncé released her B’Day CD, featuring eight singles that showed her moving, grooving and shaking all that reddish-blond hair.
Immediately the salons started getting calls. Olivia Hughes, owner of Shapes -N- More, says she fields at least five requests for lace-front wigs weekly. Karen Wilson, who owns Simplicity, a Germantown salon, says she has five or so regular customers with the wigs, in addition to walk-ins every day who ask about them. “I just started doing them this coming year,” said Wilson, who charges $900 for your wigs as well as the application. “People are seeing them and they would just like them.”
It’s not only the celebrity influence that’s drawing customers for the wigs. Women struggling with alopecia (hairloss) and those who have lost their hair from chemotherapy can also be interested in the wigs’ realism. But not many are satisfied with lace-front. Some stylists point out that this wigs have the potential to be really damaging to skin and hairline.
Anika Thompson, who owns Ryan Foster Inc. in Germantown, refuses to perform the applications in their salon. The bonding adhesive can be damaging for the skin and scalp, and sometimes, Thompson says, once the wig comes off, the hairline comes off as well. But even more damaging than losing hair from a bad application is the loss of self-esteem that can come from wearing someone else’s hair on the head for months at the same time, Thompson says.
“These women arrived at me with high density full lace wigs they have got removed. … [now they have got] no hairline,” Thompson said. “Your skin on their face is broken out of the adhesive as well as their own hair is matted and broken off from rubbing against the stocking cap.” Still, you will find people who say the lace-front wig presents them courage to show themselves.
Tuere Brown, 37, enjoyed a miscarriage she said caused patches of her hair to drop out. The Southwest Philadelphia mother wanted a glance that wouldn’t stress out her hair and would appear natural. So she chose an off-black bob with chestnut-brown highlights that falls just above her shoulder. “I feel great by using it on,” she said. “It seems the way i utilized to wear my own hair. I adore it.”
He stores it in plastic bins and cardboard boxes, opposite the fishing supplies. “Got grays, got browns, got blonds,” he stated. “Got everything.”
Inside one bin, shiny brown bundles nestled around one another like snakes. He picked two thick braids and lifted them through the bin. Uncoiled, they were three feet long and nearly reached the ground. “This is perhaps all Russian hair cut right off people’s heads,” Mr. Piazza said.
Mr. Piazza, 69, is definitely the grandson of Sicilian immigrants, the son of any detective, a tournament fisherman. He will not look like a guy who will have an exotic hair collection in his garage. But also for decades, Mr. Piazza was probably the most sought-after wigmakers in New York City. He made custom wigs and hairpieces for Jacqueline Kennedy Onassis, Brooke Astor and Lena Horne at Kenneth beauty salon. Also, he made the nearest thing the entire world has seen to mermaid hair, creating the long tresses Daryl Hannah wore in “Splash.”
A lot of his hair has come from this stash, sourced from around the world, and which eventually outgrew his studio. “I couldn’t close my closets,” he explained. “I had more hair than I knew what to do with.”
Mr. Piazza is one of the last Old World wigmakers making wigs for the public inside the city, men and women trained mostly by Italian and Jewish immigrants inside the centuries-old trade of silk top full lace wigs hidden knots, a fussy affair that sykkcc the patience spectrum falls approximately tailoring a jacket and counting the stars.
These are generally not the new-pink bobs at Halloween stores. They are produced from human hair and also have intricate hairlines that blend into the skin. To make one requires weaving hair, several strands at any given time, to some lace mesh cap using a small needle, a procedure called ventilating. Ventilating a lace wig, which might have as many as 150,000 knots at its roots, takes about 40 hours.